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Harmony Engine currently offers the user a wider range of options for controlling how the harmony is created and, to my ears at least, perhaps has a slight edge in terms of the audio quality. I was fortunate enough to be able to test them side–by–side while conducting this review. Harmony Engine is a relatively new product and a very direct competitor to Mu Voice.
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The former is only available for the Powercore system and Pro Tools HD, but uses the harmony processing from TC–Helicon's top–of–the–range hardware processors, and the results can be very good indeed. However, given the plug–in format, a more obvious comparison would be with the TC–Helicon/TC Electronic Harmony 4 and Antares' Harmony Engine plug–ins. Hardware alternatives to Mu Voice are provided by both Digitech and TC–Helicon, and SOS has reviewed a number of products by these companies in the past.
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This manual automation is very easy to use, but for most competent keyboard players I suspect the MIDI approach might be the preferred route, especially as harmony presets and the contents of the Chord Preset Panel sequence need to be saved, as they are not part of the host sequencer project. As this automation is created, the timing of each transition is displayed at the top left of each slot. The timing of the transition from one slot to the next can be synchronised to the host by engaging the Write button and simply using the cursor keys to step through the slots as the song plays back. Using the Insert buttons within either the Chord Panel or the Preset Panel places the current chord or preset into the selected 'slot' in the Chord Preset Panel, allowing the creation of chord and harmony preset combinations. However, it is also possible to build a sequence of such changes in the aforementioned Chord Scheme Panel.
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Further possibilities are provided, as the harmonies can be pitched up or down by two octaves via the arrows to the right of the voicing buttons.Ĭlearly, users could simply record a series of chord and harmony Preset selection options on a MIDI track to automate the required changes through a complete song. However, if the chord is more complex (a sixth, seventh or ninth chord, for example), the next note within the chord is used instead.
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If the chord is a simple triad, then the fourth setting creates a harmony an octave higher than the lead voice note. With second and third, Mu Voice uses the next notes within the chord above the lead voice to create the harmony. With the first setting, no pitch–shifting is applied. Four basic settings are available here - first, second, third and fourth - and these refer not to musical intervals, but to the stacking of the harmony relative to the notes within the chord being used to construct the harmony. The large Voicing Display in blue towards the top of each channel strip indicates the harmony generated for each channel. The purpose of some of the Harmony Channel controls, such as Volume and Pan, is self–evident, but one or two others are worth explaining.